GMB AKASH

“The creator has strangled me with his own hands.”

Gmb Akash — Sun, 12 Feb 2012 20:28:10 +0000

“It was 1999, when I first realize I need to focus stories on a helpless community. For that feeling, there was a story behind. As a child, I was a frequent visitor at my uncle’s house at Narayangonj, somewhat 25 kilometers north of Dhaka. My uncle had a hermaphrodite locally called as Hijra, whose name was “Khushi”-meaning happiness, but that is what she very much lacked in her life. During these visits I often saw my cousins with their friends taunting and making fun of Khushi, often even worse happened as when they were drunk they forced and made her to strip naked and dance in the tunes of common Hindi film songs. Since Khushi had no place to runaway to and had no means to save her from this humiliation, she gave in to the insults and harassment’s silently. Images of Khushi gyrating and quietly exposing her underdeveloped sex organs left a lasting impression that haunted me ever since.” –

Gmb Akash

© GMB Akash / www.gmb-akash.com

The Hijras live in-groups far away from a regular world. As for them living in normal family becomes an unending series of taunts from the society so the circumstances lead them to leave their regular family. They come to general people but live a life far different and painful in the dark allies, in isolation.

© GMB Akash / www.gmb-akash.com

Hijras live in their groups; each one has a leader often called “mother” or “Guru”. Members of a group do not take part in any activities without the permission of “mother”. Even the trimming of hair requires mother’s permission. Failure to get such permission results in a fine ranging from 250 Taka (US$5) to 5000 Taka (US$90).

The norm is, for a Hijra to leave home and join a community of Hijras. This happens mainly because living in the normal heterosexual surroundings becomes is unbearable due to constant taunts, insults as well as neglect. Hence joining other Hijras is normally the most logical thing to do. However, it often happens that the other Hijras will claim any Hijra child on the basis that it is a member of their society and should therefore live with them. Stories of the Hijra community accepting a Hijra baby as a gift, trying to buy it, or even stealing it are not necessarily untrue.

© GMB Akash / www.gmb-akash.com

Like in the case of Najma, the occurrence was regular that in the case of any other Hijra. Najma grew up in a well to do family in Barisal, a river port town. When she was 13, a group of Hijra from Narayanganj went to her parents, but failed to persuade them to give Najma away to the group, but later due to the increasing adverse social environment she herself joined the group of Hijra latter in life making her home about 300 kilometers. Away from the parents home in Narayangonj.

Najma is now the leader of a seven-member Hijra group that I studied is bringing up two young Hijra children. Rubi and Chanda are now 14 years old. Najma told me that: ” I cannot be a mother in my life .so It gives me great pleasure to hear them call me “ma”-mother. They will inherit everything whatever I have”. In order to get Rubi; Najma told me that she had to pay 5 000 taka (US$90) to Rubi’s impoverished parents.

© GMB Akash / www.gmb-akash.com

Because of their socially prescribed role as performers and spiritual healers, the Hijra appear to live their lives in merriment. In their own homes, Hijras prefer to live in a colorful manner. Their houses are almost always well organized and elaborately decorated. The same goes for their garments and ornaments. Since the Hijra believe they are women, they dress in saris and have ears and nose rings. Most of those I often met also had false breasts made with padding and often with the help of some oral contraceptive are thought to give growth on the form of breast. The hair is kept very long. But the voice and facial features are distinctly masculine, which they try to eliminate endlessly. They are physically strong and very well built. Generally the Hijras have two names one from their family when the were born and the other from the Hijra groups he joins, but often death their tombstone bears the male name that was given by the parents.

© GMB Akash / www.gmb-akash.com

They are not only striped from their basic rights but are also made to feel ashamed of themselves. Hijras get a mixed reception from the people; the middle class thinks them as bad omen even the sight of a Hijra in the morning is regarded as the same and believed can spoil the whole day. Where as among the lower class they are believe to posses spiritual powers as they are deprived of the joys of a normal life, their prayers are believed to be answered. They sustain themselves through their performance of singing and dancing at various ceremonies, paying them is regarded as an act of piety but even then getting the events and ceremonies are becoming scare. I saw them as somebody not different from myself and want to clear the common misunderstandings that circle them, the common idea about them is very vague and negative and their never ending pain and struggle is never brought to the book. My efforts will be to do the entire undo and uplift the images of these hapless groups of people called Hijras.

© GMB Akash / www.gmb-akash.com

“One day they sang to me a song written in light of their painful life. One of the lines that stand out goes: “The creator has strangled me with his own hands.” Yet they dream— repressing in their hearts, these strong sentiments and emotions they bear towards the Creator — a dream of their own independent community. As one of them told me – “You know Akash, if we had a great amount of money then we would have brought a four stored building and all ‘Hijras’ like us would have lived there. Then no one would have dared to neglect us.” And holding on to this dream in their hearts they aim for a normal beautiful life. So even in such a state of negligence some are continuing school and colleges; in the hope that after studying they will get a job like a normal person and will be recognized and condemned in the society not as ‘Hijras’ but as any other ordinary individual.” – Gmb Akash

© GMB Akash / www.gmb-akash.com

Unseen Existence

Gmb Akash — Tue, 17 Jan 2012 20:41:48 +0000

“Environs can explain much. You can feel the existence without presence. & sometimes absence is required to feel this presence more intensely. I started believing these things while I captured few moments of nonexistence. Yet these moments profound very much in exist of living being. I have taken these moments from various part of my world, however they are all alike. These are like footprints of a missing thing; you can assume the missing focus through edges. Welcome you in the puzzle. Fill in the gaps by your thought” – Gmb Akash

In the middle of the field, crops are baking by sun. These harvested crops are waiting to be carried to home. The field is reflecting efforts of an unknown farmer. © GMB Akash / www.gmb-akash.com

Rofiq ( 28 ) is a daily labor in his dream city ‘Dhaka’, Dreams pushed him here & reality left his identity far in a village, where his wife, children Shohel and Shaila & their parrot counting days & nights for him. In every six months reality let him go to where he left his heart. In Dhaka city, wall of a room of a slum is whispering his silent pains. In the walls he draws his feelings with the scratch of reality. He, his wife, their children & the parrot a family, all accommodated in the brick of lonely wall. © GMB Akash / www.gmb-akash.com

Bended trees remain to tell the tale of a nightmare of Cyclone. Aila hit the top of these trees & gave the mark of an unseen ferocity. The silence of the place is claimed by broken trees, miles after miles. © GMB Akash / www.gmb-akash.com

Circus gradually loses its heritage for convergent entertainments. Still empty chairs of Circus are hoping to accommodate the vast missing audiences. Thus these refers the lost crowd & as well state for the hope of gaining back. © GMB Akash / www.gmb-akash.com

In every week slum dweller waits eagerly to take the taste of chicken. Fortune gives them the chance. In Rayerbazar- shop keepers sold chickens to restaurants & they left the head of those chickens for those waited people. Slum dwellers buy those chicken head once in a week. Fortune gives them a chance to take the taste of chicken by having these chicken head. Dhaka. © GMB Akash / www.gmb-akash.com

In the bank, the boat is waiting to sail. A family of eight members is dependent on this boat. The boat is stand for the arrival of the fisherman. A family exist behind this single boat. © GMB Akash / www.gmb-akash.com

This cassette player is a very dear thing for its slum dwellers. They have no space for placing this. So they hang from the top to manage space. Behind this cassette player, hundreds of slum dwellers entertainment awaits. © GMB Akash / www.gmb-akash.com

An old car standing at door step of its owner. Manila, Philippines © GMB Akash / www.gmb-akash.com

Under the severe water crisis, inhabitants of shatkhira stand are line at mid night. Their water pots represent their standing in the queue. © GMB Akash / www.gmb-akash.com

Cyclone Aila ruined the house & the lives of inhabitants just before three days. People of this house have to leave their home. Aila force them to live on embankment. They family still tried to dry their children books on the roof of the house. After the devastating calamity they could not totally leave the hope to live in their house. © GMB Akash / www.gmb-akash.com

Day laborers of Philippine are drying their cloths outside their living place. © GMB Akash / www.gmb-akash.com

This is the living space of a rickshaw puller’s family. They bought the old TV from a second hand shop. At evening along neighbors, they happily straggled with the old TV to watch. © GMB Akash / www.gmb-akash.com

“Life – a one way journey….We should not regret any moment which make us smile…We should make our self happy with all little pleasure of our life ….even if we have everything, we haven’t had tomorrow…Lets fill our all gaps by our presence of love, appreciations & thoughtfulness. We may leave forever, & then our environs might tell our tale ceaselessly. Let the light lit our absence.” – Gmb Akash

A World Full of Hungry Apes

Gmb Akash — Thu, 05 Jan 2012 15:24:29 +0000

“Photography has taken me to discover many unexpected territory as all time I wanted to see the sights of unseen & unforgiving incidents of reality. I was engaged in one of my personal project’s work on ‘sex workers’ for which I went to Madaripur. I have been working on ‘sex workers’ last 7 years & my works demand me to investigate their situation all over the country. Last year, in the month of August when I arrived at Madaripur it was afternoon. Shockingly I have seen thousands of apes are in street, running here & there. It was an unexpected thing of my life to see thousands of ill monkeys are moaning alone. I was traumatized, unspoken & felt awful when I understand all these thousands monkeys stand in front of me are HUNGRY. I always concern to cover stories of situation which need concentration for helping out by the assessment of the world. So I take out my camera & run to middle of them”

– Gmb Akash

In char Muguria area, Madaripur around 2,500 monkeys are facing severe food crisis. Due to acute food crisis many mother monkeys, passing days starved or half-starved, are even unable to breast feed their babies. Quite a few monkeys have already died in this serious situation. Concerned over the pitiable life of the monkeys, locals and visitors have urged immediate arrangement of food for the monkeys. Though the local communities are already poor to feed themselves but the heartbreaking scenarios of monkeys influence them to share their own food with them. Despite keeping distance with human the unable monkeys are taking foods from people’s hands. The hungry monkeys were competing for the inadequate foods like peanut or biscuit given by the visitors. They were also trying to eat whatever they got — grass, garbage, polythene etc. Baby monkeys are suffering badly in malnutrition. Even the water crisis made their lives more pitiful. Local community sought allocation for food for the monkeys but the higher authorities are yet to give any response in this regard.

“A mother monkey by carrying its dead child was passing from trees to trees. When it came in front of me & begged foods I realized the monkey did not identify its child is already dead. This pitiable situation made me terrified. These apes, whose residents are jungle, came out for food & begging to feed themselves. These climate victims are more alike my working project of ‘Sex workers’. Human & animal all are helpless in front of starvation & need. They are survivors of dreadful situation which many of us over looked or never know”- Gmb Akash

Life Indulges In Colour

Gmb Akash — Thu, 22 Dec 2011 15:41:35 +0000

I take a picture of a person & later when I close my eyes for recalling what I have taken – The first thing that hits my mind is – Colour. After observing a person if we try to recall, then unconsciously colours comes first in our mind. The texture of the skin, colour of hair, colours of cloths & in total colour gives us an impression about the mood of the sight. Colour is a strong element to illustrate a person’s traits. I believe every person cover a mood of colour. From beginning of my career I am working for those people who are living in the edge of the society. While I started working with these people I surprisingly discover – life has taken all colours from them but still they cherish every moment of their life with colour. Colour is their courage; colour creates enthusiasm on them to fight to live for another day. Person, who has nothing, has colour in life. In beginning of my career I took all black & white photographs of those who are colourful. I found out poverty, sorrows & depressions become vivid if I skip colour from their life. To present – ‘the present’ I start working on colour. A street child, laborer of a road or even a homeless lady all of them has colour. People who are fighting everyday to live life are heroes to me & these heroes represent colour. Their skin tone, dresses, living places all are colourful & powerful. They are deprived from all happiness of life but yet they treating themselves with colour. While I discover the truth I started to learn to capture the mood of colour on them.

@ Gmb Akash

“…I realize I have no power to deny the colour of these colourful people who are straggling in a colourless, hopeless world, nevertheless they live & smile. So I can not ignore the yellow balloon of a homeless child or even a red bowl of a beggar of the street. This inspiration inspires me to work with colour. & I continued my journey in the path of a colourless world to meet with all these colourful souls…”- Gmb Akash

@ Gmb Akash

Colour arouses my work for getting the depth of the sight. I got colour in different mood in the different part of the world. But I discover people who are fighting endlessly for surviving are more colourful than any part of the world. Because of this colour is more challenging to me. I take this challenge to explore the unrevealed spirit through every capture of mine.

@ Gmb Akash

I have a special affection for red. I like to take picture in the early morning & late afternoon. Unpredictably red comes to my way often. People who are living in lower rang affectionate about the colour – Red. It is important to take a red shoot carefully. Contrast might made the capture disturbing, while too much red can destroy the attention for the subject. A good composition & balancing of colour can create an outstanding shot. Apart of all it is important to discover the right mood of colour in the right temperament of an individual.

@ Gmb Akash

I go to country to country to explore colour differently. I have found out different colour in different cast. You will find people of power through colour. Your experiences & observations with colour will help you to reveal certain attribute of a community through colour.

@ Gmb Akash

- I prefer to use natural light which allows me to capture the originality of the moment of colour.

- I try to find out a natural background which suits the subject’s colour instinctively perhaps my entire colour photos are – found situation. So I believe to observe more & more while traveling frequently.

– Working with a single colour allows me to appreciate more intricate details within the subject itself.

- I travel to discover for getting the unexpected shot yet carrying the note in mind that I am searching thing which I have seen several times but never been noticed. Searching without clue for a known thing helps me to get a good colour shot.

- I only pick colour which has meaning to the subject.

@ Gmb Akash

“While I am taking photos of these colourful souls I am learning to live in colour. By capturing these colour moments I have learned – few hints of red, blue & yellow has inspirations in our life. People who are fighting without anything in this world are healing their pains by indulging in colour”

– Gmb Akash

@ Gmb Akash

‘Nothing to hold on to’

Gmb Akash — Thu, 01 Dec 2011 10:47:50 +0000

“When the train starts your feet will shake and you will try to hold something, but there is nothing to hold on to. From 2005 I went up in the train. Sitting or lying on the corroded metal roof of a train moving at 40 kilometers per hour is dangerous. By knowing that any time accident can happen it will make you nervous, give you insecurity & makes it more risky. In that time there was no one who can tell me the rules of hanging in a running train, there was no example of photographs by which I can inspire myself to capture moments in camera. But I did not think twice to step into the slippery train & attempted to make a new series on the bravery of some insignificant heroic lives.”

– Gmb Akash

© GMB Akash / www.gmb-akash.com

Seven years ago I had to travel several times by train to come to the city. During traveling I noticed low income people who were traveling in the roof of the train & even in between joining line of the train. Most of them were low wage working class & traveled with high risk of severe accident. I was surprised to the fact when I discovered few of them traveled many times of the day with life risk. For knowing the reason my interest had taken me to the root. I pick my camera & leave my seat. Thus my journey starts in the running train. I had a basic curiosity to know about people whom I intend to photograph. From beginning of my journey I work for those people who are fighting endlessly to survive without anything but a smile. For taking photo of them I blended myself into the same conditions which help me for getting the insight story. This inquisitiveness leads me in the top of the train. & I become one of the free passengers of regular running trains. Thus I got familiar with the scary situation of the fearful journey; discover people & above all I took photo.

© GMB Akash / www.gmb-akash.com

Uncountable times I went to the roof of the train. Often visit made me familiar with the scariness of a running train. People become well-known to me. I find out so many different stories of people & their dreams of surviving. When I manage myself to step straight then I pick my camera & start capturing my feelings by my camera lens. No one travel to risk their life to get pleasure. All were unable to manage travel cost as they were living under the margin. Many of those travelers work as day laborer, many of them goes for selling fishes in city which they collect from their villages. All of them have to return also. These travel costs can not manage by them so they risk their life in the top of the train.

© GMB Akash / www.gmb-akash.com

This traveling is very addictive when you will discover people who have power on them, who were bravely setting without caring anything. These people inspire you to live life without getting frustrated. They have nothing with them only have bravery to fight against all odds of life. So this journey put power inside me to fight in rest of my life with bravery & inspire to take any risk to live a life.

© GMB Akash / www.gmb-akash.com

In winter the whole train surfaces get slippery, once I stepped without been concern & attempted to fall. It is difficult to take picture in opposite of the direction of the running train. Along other passengers I have faced terrible winter, unwanted rains & continual heat in the top of the train. Many times wires hit me, every time I thought I should not go more. But again I can not resist myself. Getting a good picture is toughest thing while you need to spend days & months for the right moment & for the right click. I won travel photographer of the year title in 2009. Besides all I am fortunate to be able to stand in this fearful journey which will continually give me power for rest of my life.

© GMB Akash / www.gmb-akash.com

“I recall all these journeys again & again. My achievement is that I established this series as one of favorite topic for photographers. I feel happy when I see photographers come from around the world to get a free ride in the top of the train & takes pictures. All these make me happy. I collect all my treasured moment & I am working for publishing a book soon on this series. I have to say, I am fortunate by killing fears of me to become able to go to the top of the train. There is nothing to hold on to only your fearlessness”

– Gmb Akash

© GMB Akash / www.gmb-akash.com

Faces Tell Stories

Gmb Akash — Sat, 29 Oct 2011 04:39:13 +0000

“Among all – Human faces are most attractive to me. Every face bears a story. Photographers reveal the undiscovered story through the lens. Faces tell stories, tell the situation of the person, and tell the story of the place the person lives in. Wherever I go I always come across to faces those are different, & eventually tried to find characteristic of the community; every place has its own perception, story & smell, a person bears these things in his/her appeal. I search for story behind the face, so faces are incredible to me. Through out searching the portrait we could find strange stories of lives of people of different places that we never recognize before. Here I am going to share my experiences & opinion during the journey of finding unnoticed faces”

- Gmb Akash

© GMB Akash / www.gmb-akash.com

I search for getting an interesting character, a face that is usually undiscoverable. I searches face in the middle of crowd. My first prior attention is the selection of the person, choosing the right character. Before I take any portrait I try to be familiar with the person. I talk to hem and try to build a relationship with the person I will photograph. I give them time to be normal in front of my camera. I introduce myself to them. When the person gives his/her most natural expression to me I take out my camera & start shooting. I believe it is the strongest factor which I practice so far to get a close snap of a human soul.

© GMB Akash / www.gmb-akash.com

For me light is the most important element for getting an excellent portrait. I try to use different type of light; I try to shoot in different time of the day to get different colour and mode of light. Every light has its own appeal for creating different portraits of an individual.

© GMB Akash / www.gmb-akash.com

Technically I use 35mm (f 1.4), 24-70 mm (2.8) lenses. But I take portrait with all kind of lenses I have. Truly to say I do not care about my equipments very much. For me the most important is – the person. Some times I also use very open aperture like 1.4 to get very low depth of field. So my eyes only go to my subject. As in Some cases the surrounding environment is very important, so in that time I use aperture 8 to get all the elements in focus. But I do not like using very wide angel lens and I do not like a lot of distortion on the photo. I saw many people use wide angel lens for most of their works. If you use very wide thing, the picture look interesting because of the distortion. But in my opinion the picture looks like it has taken by the wide angel lens not by a photographer. So I don’t use too much wide angle. And thus I try to make my images clean and direct.

© GMB Akash / www.gmb-akash.com

I have strong affection for color. I am a color photographer & I believe color photography is more challenging & complicated. When I can meet the challenge I feel relieved. I am always very careful for using light and color. I love shooting in the early morning and late afternoon. But while I take portrait in the mid day I try to shoot them in the shadow, indoor or under flat light. It creates mystical environment.

© GMB Akash / www.gmb-akash.com

I try to use very simple background while I am taking close up portrait, so that the background might not disturb the subject and I try to use lot of – window soft light. Eyes have significance to me. One of the most important things in my images is eyes of the person. Eyes tell the story of that person. Eyes tell the unseen background of the person which I always hunt to discover.

© GMB Akash / www.gmb-akash.com

- For me the most prior factor is the character of my portrait. The light, color, eyes & the person must have to be blend with me. I align four factors together for taking a special portrait they are – the person, the light, eyes & color.

- Attention is the most hidden factor to get a good portrait. The person need to be familiar with you & the camera, it will be your prior duty to make the person natural as well comfortable for getting a best shot.

- Several rules applied by photographers for getting experimental portraits. Every photographer has his/her own style of taking portrait. Often the most remarkable portraits are those that break all the rules, so it’s important to create your own rules to get a master copy which might never done by some one before.

- Expression indicating the direction of the person’s eyes which can impact an image astonishingly. For me it’s important to observe the right moment of the direction of eyes.

- For creating interesting images you need to give trial, for creating interesting placement of your subject. After Creative thinking, creative placement can sometimes create out of the ordinary images.

- There are almost unlimited possibilities when it comes to use light in portraits. Input of light could make a portrait more or less powerful, as well side lighting, back lighting, silhouetting can spot specific features.

- Never fail to align your mind, eyes & lens together to find the inner beauty of the portrait.

© GMB Akash / www.gmb-akash.com

“Any Book or text or any experience sharing can not demonstrate “Portraits” practically. Pick your camera explores faces to get a good portrait. & you are welcome if my single practical example or feedback could uphold your knowledge”

- Gmb Akash

Reckless Calamity washed out lives

Gmb Akash — Thu, 22 Sep 2011 10:18:31 +0000

After Aila attack it has been two years Khadeza Begum sold her cattle & everything to rebuild her only shelter. Now it is another nightmare for her to stay under her destroyed house after facing another devastating flood. She has no idea how she will manage to pay back all her loans, besides passing nights in this smashed house with her husband.

Kadeza Begum said:

“We have nothing left, but we have to survive, so we’ve had to build our house again, twice in two year”.

Like Kadiza Begum It takes one year to Nobab Ali for building his house after Aila attack. Again flood hits on his all effort & left him in the flooded street. After all these devastation still he is trying to get some materials from the ruined house for covering his head in the road.

Alike them all inhabitants of Shamnagar are suffering like prisoner of devastating water kingdom. Helplessness & shouts are not getting into ears of rest of the people around the world & surroundings. In all places water & the destruction of water could experience in flood affected areas of Shatkhira. Inhabitants are collecting water after walking 3 Km. as all tube well are under water & badly affected by salt.

Amina begum told:

“Here water in everywhere, even in my house there is no sign of house only water. But we are such cursed that we have no water for drinking”

After facing devastating flood every year, they are fighting to live apart loosing shelter for existing. Still they are fighting to live. They are collecting all destroyed pieces of house to shed their head. Women go for fishing. They are healing pain of each other set aside from the remaining world.

I headed to the flood affected area of Shatkhira when all those villages are under water within three days & was out of communication. Evidentially when I reached to Shamnagar sun was setting down. I was surviving in a boat & could not see surface to stand a while. With the drowning sun the village was drowning under water. People were sheltered above in roofs of their houses. Moaning of old people & shouts of children were making the atmosphere miserable.

The southern part of the country is mostly affected by rain-fed disaster. There was heavy rain all over Bangladesh but flood has affected 14 of the 64 districts in Bangladesh. In Satkhira Kobodak, Betna, Shalta and Morichhap rivers swelled abnormally over the last seven days overflowing their banks inundating 160 villages in dozens of unions in Tala, Kalarowa, Ashashuni and Sadar upazilas. Over four lakh people of 160 villages were marooned. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. Over 2,000 shrimp enclosures were washed away. Families lost everything & staying night without roofs in wild weather. Incessant rain coupled with high tide triggered by depression in Bay in the last few days caused river water rising engulfing villages on their banks. No humanitarian support has been provided to the people in the most affected districts by the government, local, national and international NGOs even after 10days of water blockage. People are suffering like prisoner of devastating water kingdom. There helplessness & shouts are not getting into ear of rest of the people around the world & surroundings.

After the flood in Shatkhira, all ladies are moving for dry places by carrying their belongings. Families lost everything, passing nights without roofs in wild weather. In such a situation open air in field of water can not accommodate them for healing pains. Leaving behind everything they are moving to the city. . Hunger, helplessness & calamity force these climate refugees to the city. City welcomes them to face the uncertainty of living for their entire life time. Rootless people suffer here & there. Their tears evaporated by thirsty street of Dhaka, the capital of Bangladesh.

Bangladesh is the most vulnerable country in the world, the frontline state of climate change. Mostly to say Bangladesh seems the leader of climate change. With 140 million people, Bangladesh is one of the world’s densest nations and also one of the most vulnerable to the impacts of climate change. Like much of the delta region, it floods each every year, but the flooding has been getting worse, the waters are staying longer, and contaminating the fields and the wells with salt. People in Bangladesh live precariously close to the risks of cyclones, floods and droughts and more than 100 million people live in rural areas. Two-thirds of the country is less than 5 meters above sea level and in an average year, a quarter of the country is inundated. Bangladesh has experienced severe floods every 4 to 5 years that may cover more than 60 percent of the country, resulting in significant losses. United Nations’ Intergovernmental Panel on Climate Change predicted that rising sea levels could submerge 17 per cent of Bangladesh by 2050, creating 20 million “environmental refugees”.

Here is a short film on this concern – how people are facing the calamity by living their normal life behind:

Still images of this devastating flood could reveal people’s straggle & endless helplessness.

In 2009 Aila attacked Shatkhira, after two years when that pain has not healed this place again faced the ferocious attack of flood. While in these two years affected people managed to build their destroyed home but again flood has taken last hope from them. Over four lakh people of 160 villages were marooned. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. © GMB Akash / www.gmb-akash.com

After Aila attack it has been two years Khadeza Begum sold her cattle & everything to rebuild her only shelter. Now it is another nightmare for her to stay under this destroyed house. She has no idea how she will manage to pay back all her loans, besides passing nights in this smashed house with her husband. © GMB Akash / www.gmb-akash.com

The flooding continues by washing away many homes and fields, the ill-fated flood victims Like Jhanu Begum remain living on the damaged embankments, surviving the rainy season in huts made of plastic sheets and bamboo. © GMB Akash / www.gmb-akash.com

The lady is going inside her house. The flood has broken all her hope to pass a single night in serenity. After facing devastating flood every year, they are fighting to live apart loosing shelter for existing.

© GMB Akash / www.gmb-akash.com

People are fighting alone against every odd of their lives & with regular calamity. People are using medicine in their feet as they are living in water long time. These people do not know when they will get relief from flood water. © GMB Akash / www.gmb-akash.com

Flood has taken everything from inhabitants of Shatkhira. Every day straggle for getting water & food become another calamity for their life. All tube well goes under water & already badly affected by salt. Sufferers have no way to get rid rather then suffer in crisis. © GMB Akash / www.gmb-akash.com

Besides Khadeza begum has to pay back all her loans of rebuilding the house after Aila attack, but again she lost every piece of it in this flood. She has no idea how long the village & she can survive. She is trying to collect all wasted material of her house in hope to get a shed by road side. © GMB Akash / www.gmb-akash.com

It takes one year to Nobab Ali for building his house after Aila attack. Again flood hits on his all effort & left him in the flooded street. After all these devastation he is trying to get some materials from the ruined house for covering his head in the road. © GMB Akash / www.gmb-akash.com

Nobab Ali has no idea how long he can survive surrounded by flood water which has proven curse to him. In his last dates he is fighting every year for building a house to shed his head. After the devastating flood attack again he is searching, below in water in hope to get his lost belongings. © GMB Akash / www.gmb-akash.com

The violent flood abandons lives of Shamnagar inhabitants. With all fields under salt water, no shrimp farming or other activities can be restarted, and people have no way to earn a livelihood. Instead they try to fish in the nearby rivers even in floated roads. © GMB Akash / www.gmb-akash.com

People are moving to the city by vans even all roads went under water because of devastating flood in Shatkhira area. In 2009 Aila attacked Shatkhira, after two years when the pain has not forgotten this place again faced the ferocious attack of flood. Leaving behind everything they are moving to the city. © GMB Akash / www.gmb-akash.com

In the Alley of Disaster

Gmb Akash — Mon, 12 Sep 2011 16:51:02 +0000

“I headed to the flood affected area of Shatkhira when all those villages were under water within three days & out of communication. Evidentially when I reached to Shamnagar sun was setting down. I was surviving in a boat & could not see surface to stand a while. With the drowning sun the village was drowning under water. People were sheltered above in roofs of their houses. Moaning of old people & shouts of children were making the atmosphere miserable. When I reached to the house of Khadeza Begum I closed my eyes. It took two years to rebuild the house of Khadeza after selling all her cattle as well taking huge loans after Aila attack in 2009. I was standing in front of her ruined house. The house which has been rebuilt these two years by the bravery of Khadeza. I could not answer when she was hitting me by asking why I come to take photo of her ruined house again after Aila. No one come to ask them ever how they are fighting against the will of nature. She cursed all those happy people who seat silent after hearing their news”

- Gmb Akash

In all places water & the destruction of water could experience in flood affected areas of Shatkhira. Inhabitants are collecting water after walking 3 Km. as all tube well are under water & badly affected by salt. After facing devastating flood every year, they are fighting to live apart loosing shelter for existing. © GMB Akash / www.gmb-akash.com

In 2009 Aila attacked Shatkhira area, after two years when that pain has not forgotten this place again faced the ferocious attack of flood. While in these two years affected people managed to build their destroyed home but again flood has taken last hope from them. Over four lakh people of 160 villages were marooned after the striking of flood in this 2011. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. Shrimps in over 2,000 shrimp enclosures were washed away. Families lost everything & staying night without roofs in wild weather. No humanitarian support has been provided to the people in the most affected districts within the affected time of 13 days.

People are helpless after five days water blockage. The lady is going for fishing. While in these two years Aila affected people managed to rebuild their destroyed home , again this flood has taken every hope from them. © GMB Akash / www.gmb-akash.com

People were suffering like prisoner of devastating water kingdom.Helplessness & shouts are not getting into ears of rest of the people around the world & surroundings. Still they were fighting to live. They were collecting all destroyed pieces of house to shed their head. Women went to water for fishing. They were healing pain of each other set aside from the remaining world.

All tubewell of villages goes under water. Everywhere there is only water but there is no water for drinking. Still inhabitants are trying to get salt water for drinking. © GMB Akash / www.gmb-akash.com

The lady is going inside her house. The flood has broken all her hope to pass a single night in serenity . © GMB Akash / www.gmb-akash.com

Hunger, helplessness & calamity force them to the city. City welcomes them to face the uncertainty of living for their entire life time. Rootless people suffer here & there. Their tears evaporated by thirsty street of Dhaka.

Climate forces Jahangir to move to the city with his family. Now this Mirpur slum is his identity. Water crisis as well accommodation problem hitting their everyday life . His wife like him are suffering everyday for taking bath in this nearly open bathroom by sharing with more than 300 slum dwellers. © GMB Akash / www.gmb-akash.com

Hosna comes with her two children from Jamalpur. Her husband left his family after loosing everything in devastating flood. She came in this plastic shelter three years ago. This street houses does not provide any toilet. By not having any window she manages to placed everything of her family in six feet by six residences. In these three years she managed to gather many things which she packed in bags. With all these things she dreams to go back to her village one day. © GMB Akash / www.gmb-akash.com

After discovering the insanity of nature & bravery of these sufferers I realize these people are stronger to rule their own live. If these brave people could get support of a shoulder to cry, rest of us could claim us as “Human”. I recall the statement from Helen Keller & focus my lens to capture some brave moment.

“I am only one, but still I am one. I cannot do everything, but still I can do something, and because I cannot do everything I will not refuse to do the something that I can do”- Helen Keller

Homeless people float near in the street of the city. By few road sides families are allowed to build their homes. Still climate refugees can not gather enough wasted digital prints, papers & bamboo for making plastic houses. Those who can not manage helplessly sleeps in open air by not letting the place empty. Everyday they collect papers for dwelling beside street.

Water crisis Myth & Reality

Gmb Akash — Wed, 17 Aug 2011 15:52:18 +0000

Dhaka, the capital of Bangladesh is one of the most densely populated cities of the South-Asian countries. Due to rapid urbanization process, the city is emerging as a mega-city and this trend generates numerous economic and social externalities and social cost such as deterioration of environmental quality, increased pollution and congestion. 30 to 50 percent of total Dhaka residents are Slums dwellers. Slums of Dhaka city are beset with a number of socio-environmental problems specially ‘water’ crisis.

“In slums from early morning hours passed & water pot gathered gradually. Queues of water pots & lines of people are regular scenario of the slum. Government van comes once in a day with drinking water. They have no idea exact when the van will come, so they line up their water jars & sit beside. Most of the inhabitants of these slums are climate refugees. Most of the slum dwellers stand in lines before the sun rises. After passing the long queue, knowing that this impure water causes sickness, they feel that they are fortunate. Their consolation is that at least they don’t have to leave with empty pots” – Gmb Akash

Apparently the place seems like garbage, though this is the most desired place of the inhabitants of Mirpur slum in Dhaka city. For water, in this thirsty zone queue stars near midnight. After an immense time of patience they got quiet impure water which often makes them sick. In spite of all they give a cheerful smile when they touch the water after passing the long queue. No dirty water can kill their hope & smile.

In slums straggling for water starts before the sun rises. A boy collects water for his family near mid night for avoiding the long queue.

In Mirpur slum, slum dwellers have to waits hours & hours in queue for water. Children use to drink water whenever they got chance to get the pipe. Slum dwellers of Mirpur hardly get drinkable water. Bad smell & impure wastage made the water high-risk. Dhaka. Bangladesh

A woman is fighting for water. Children & ladies stand up in queue before the sun rises. Slum dwellers of Mirpur hardly get drinkable water. Bad smell & impure wastage made the water high-risk.

Rohingans living in Burmese refugee’s camp has no facilities for drinking water. A Rohingan woman is collecting drinking water from rain source. Water fall of mountain is the only source of water for them. Else they have to travel 2kilomiter for collecting that impure water.

Women have to spend several hours & travels long everyday for collecting drinking water. In Shatkhira, they have to go long distance, they usually collects water from ponds. After boiling water hardly removes salts & thus they make the water drinkable.

Satkhira District is in the southwest coastal area of Bangladesh. Cyclone Aila hits 14 districts on the south-west coast of Bangladesh on the 25th May 2009. The cyclone caused 190 immediate deaths, injuries to 7,103 people, damage to 6,000 kilometers of roads, more than 1,700 kilometers of embankments to collapse, more than 500,000 people to become homeless. Because of this calamity all fields got salted & farmers become helpless. As well in Shatkhira people are not getting clean drinking water, as the water is salt affected.

Children & women have to spend several hours & travels long everyday for collecting drinking water. In Shatkhira, they have to go another part of the river for collecting water. After boiling water hardly removes salts & thus they make the water drinkable. Farmers can not produce crops because of salinity. In such a situation inhabitants lives become itself a calamity living by every day’s straggle.

The woman is going to collect water from a Tube well, which is the only tube well for seven villages. The inhabitant of char in Noyakhali has to travel 3-4 kilometers by walking to collect drinking water.

“In this corner of the world people are fighting to get a pot of drinkable water. Their lives have collapsed in need of getting a pot of fresh water. People are experiencing severe thirst which may never come to an end if “Water”- could not save by Human” Gmb Akash

Interview with Gaetano Plasmati – An enthusiastic photographer who inspire to create the dream of imagination by self power

Gmb Akash — Mon, 08 Aug 2011 17:02:37 +0000

“The Italian photographer Gaetano Plasmati is an enthusiastic photographer who inspires to create the dream of imagination by self power. His versatility as a photographer & unique initiatives remind me the famous quote: “Do not follow where the path may lead. Go instead where there is no path and leave a trail”

This photographer & adventurous traveler appealed more as South Asian rather than his Italian origin because of his continual work on Asia. He is a photographer who believes that all people of the world are his community, who focuses diverse topic with the same passion effortlessly. In working time I found him in the middle of street children while he happily gives his camera to slums children by granting them taking picture. After traveling in 43 counties & passing 20 years in his photography career he is still the same passionate adventurer whose friendly nature & respect to others are his dignity’-

Gmb Akash

Gaetano Plasmati, photojournalist, curator and publisher, Italy

With the identity of professional photographer Gaetano is curator of the Porta Pepice Gallery in Matera, Italy, and publisher & editor of Intransit Magazine. He lives and works in Matera, where he was born in 1965. Left electronic and music studies, he tried in his heart a strong passion for voyages and for reportages photos. He has done photography reportages in almost all corners of the world: Greek, Turkey, Albania, Thailand, Birmany, Cambodia, Malaysia, Singapore, Indonesia, Morocco, Tunis, Alger, Libya, Niger, Kenya, Madagascar, Mexico, Guatemala, Honduras, Belize, Peru, India,Cuba, Maldives, Mali, Namibia, and Jordan. Traditions, popular celebrations and cultural manifestation became his documentation goals. Gaetano is also a theatre, jazz music and classic and advertising photographer.

Gmb Akash: Please introduce yourself. Where and when did you get your start in photography? Do you have any formal training?

Gaetano Plasmati: My name is Gaetano Plasmati. I come from southern Italy, the city of Matera. I began to photograph more than 25 years ago. My interest in travelling has turned my passion into a profession. I am a self-taught photographer. I have done everything by myself: bought my first camera, set up a photo gallery and my magazine. For building these medium was upon the aim to promote more photographer & photography through me. I am consistently thinking & maintaining good relationship with rest of the photographer of the world. I believe the straggle I have faced to reach so far would help me to stand by other photographers who started their journey with nothing. Also I have always been thinking that it is important for the place where I was born and live and I believe in freedom and dignity of my profession. My land, southern Italy, has a strong impact on the way I see the world of photography.

Gmb Akash: You had a strong passion for voyages and for reportages photos. So you have done photography reportages in almost all corners of the world: Greek, Turkey, Albania, Thailand, Birmany, Cambodia, Malaysia, Singapore, Indonesia, Morocco, Tunis, Alger, Libya, Niger, Kenya, Madagascar, Mexico, Guatemala, Honduras, Belize, Peru, India,Cuba, Maldives, Mali, Namibia, and Jordan. Please tell us how this travelling influences you to understand the culture of people & facilitates you to become a powerful photographer?

Gaetano Plasmati: My profession and my passion is travel reportage. I think travelling is my nature. I follow my curiosity on traditions, other cultures, political outlooks and other events in the world. Today we live in the Internet era, but for my first trips I took inspiration from books and documentary movie. The world of books opens my imagination for inventing new stories. Today the Internet helps me in researching but sometimes it takes away the charm of the imagination. Becoming a good travel photographer means having a good education starting from school, read a lot, learn languages, be very attentive and sensitive to the world outside and many other things…

Gmb Akash: You went for six times to India, to end the anthropological-spiritual recognition, presented during the end of 2002, with extension “Mother India” for Emergency. Please share us your experience how you start the project & your accomplishments regarding it.

Gaetano Plasmati: I love India and I returned there several times, sometimes as a tour leader. I was 21 years old when I visited India for the first time and it was unforgettable experience!I felt I fell in love with incredible country and its people and I’ve been keeping this feeling in my heart for many years. I think it was a real start of my project devoted to India. I called it “Mother India” because I have grown professionally and personally as a man. This country helped me to reveal my potential, my energy, raised my spirit and stimulated my senses. I felt and still feel myself as one of the son of this amazing land. Every time I arrived to India I was surprised, amazed, scared or excited, but never had I remained indifferent. I decided complete my journeys with a photo exhibition in favour of Emergency, an Italian independent and neutral organization, founded to provide high quality and free of charge health care to the war and poverty victims. Also I tried to collect money for Emergency selling my photo calendar.

Few times I organized workshops for children in Dharavi (Mumbai), in one of the largest slums in the world. Photography for me is not only a profession or vocation also it is a kind of joke. I spent a great time there with a few hundreds of children teaching them to take pictures, talking, joking and just making fun! After, we had an exhibition of photographs that were taken by little friends.

Right now I think I have to give back to this country all my love and gratitude in return.

Gmb Akash: Traditions, popular celebrations, cultural manifestation became your documentation goals. Also you are theatre, jazz music and classic and adverting photographer. How could you as a photographer work on such versatility to easily focus on different topic with your project? What influence you for selecting topic for your project?

Gaetano Plasmati: I’ve studied at a music school for many years. It gave me an education in classical music, jazz, and other genres. Travelling revealed to me a magic of world music. For many of my photographic stories I use music as a theme. The latest are “Buena Vista Social Club” in Cuba, dances and music of Woodabe in Niger or the Dogon in Mali, The Theatre of Kathakali in India. Many of my photographs were used for CD covers for local theatres and musicians.

I always pay attention to all kind of news and events not only in my land, but also in all Italy and in the world. I read a lot, watch many movies, meet with people and this helps me to imagine new stories.

It is not easy to work in many genres and to focus on many subjects, but I manage to do this, because I’m very persistent and curious for everything new. I’m an open-minded person and I’m always looking for new opportunities and subjects for my projects. But always I work in reportage style both for travel photography and for wedding photos. I like to take spontaneous images, catch the moment.

Gmb Akash: Share your experiences on Wedding photography. Besides doing reportage on many significant social/cultural issues you are an outstanding wedding photographer. Why you are doing wedding photography & how you are keeping yourself special by creating wedding photographs as informative & thematic.

Gaetano Plasmati: I started taking wedding photographs for some friends. I did not have any special skills in this style of photography. I’ve been always thinking it was a very static work, too many portraits in one day with many emotions. I thought that the reportage style in wedding photography could be an easy solution for enjoyment of this unique day. I just follow my style and my passion; never have I looked what others do. I try to show human emotions and reflect those special moments in my photos. It is a little bit difficult to explain people the “language” of photography. Some of them don’t like to see their relatives crying or sad on the photos. More and more people try to escape from daily life problems and bad sensations and ask me to take photos of happy faces only or don’t take b&w images. And I try to explain that the reportage style in wedding photography gives more emotions for the photo; make it more natural and therefore unique. I feel myself very happy if I see my clients emotive when they look at the wedding photos and experience that moments of joy again and again.

Gmb Akash: You are the curator of the Porta Pepice Gallery in Matera, Italy, and publisher and editor of Intransit Magazine. Give us some background information on how & what influence you to start your magazine “Intransit magazine”?

Gaetano Plasmati: I decided to open a photo gallery because I wanted to give a proper value to photography and photographers, to raise the culture of visual perception for the people. I was tired of showing my photos in some local restaurants and other unsuitable places. It is difficult in a city where there aren’t photo galleries to build everything alone. It takes time and much energy … and of course finances. I always imagined a place where you can talk about photography, travels, books, images of the photographers; arrange meetings of travellers, exchange experiences. I think that sharing experience with others is a way to improve ourselves. After some time passed I considered the idea of setting up of a photo magazine to develop all these photo stories. It is called “Intransit”, a quarterly editorial project about travelling and photo reportages. Again, to be a photographer today and especially in the places where the professional culture is undervalued is not easy. A bad policy does not work on quality. The photo magazine with the help of the Internet today is also available online. Now I’m thinking over idea of creating a small editorial staff for the Intransit.

Gmb Akash: For creating new project or series what priorities a photographer need to keep in mind to survive with his project in the competitive field of photography?

Gaetano Plasmati: Being a photographer is one of the best and most interesting profession, but also one of the most difficult. First of all, follow your own nature. Being a photographer means to go outside, to see people and places, to travel, sometimes far away from home, learn languages, invent fascinating stories and study all the time and improve oneself. But nobody teaches how to survive in daily and professional life.

Everyone talks about workshops, awards, exhibitions, but no one tells you how difficult it is to remain a competitive photographer. Invent stories, involving the readers, have your website up to date, follow the new media, try to test your limits, don’t ask, be curious and creative. Always believe in yourself and in your ideas. There are always many features for a good photographer. In the end, perhaps, little lucks. I am currently working on the problems of desertification in the Sahara and on other environmental problems after disaster in Japan and planning many other projects. We must also admit that it’s hard to travel and have so many projects. Magazines and agencies are suffering with online news. People buy paper less, all information is available on the web sites in Internet. We need to change quickly, be more versatile and flexible in the work.

Gmb Akash: A brief paragraph on “One day Journey with photographer Gaetano Plasmati”?

Gaetano Plasmati: I always recommend lightweight camera equipment, but my bag is always more heavier. J I use Nikon D700 and a few Nikon lenses: 24 mm f/ 2.8, 37-70/2.8, 50mm f/1.8 D, Zoom-Nikkor 80-200 mm F/2.8, 105mm f/2.8. I prefer to use the flash very little. In the past I was an athlete and this allows me to have a good resistance and good adaptation to any situation. I think I have a good ability easily becoming friends with unknown people, it is our nature as southern Italians.

If I travel in some places like Sahara desert, Mali, Tibet usually I hire a local guide who shows me the right way and helps to communicate with locals. Also it is important to remember about many restrictions and rules before you are going to visit any country, because in some of them it is forbidden to take pictures or visit some places.

Very often I take wedding photos in different unknown places so before photo-shoot I study the area and venue. I prefer to work alone and I don’t use any additional equipment only my camera and lenses, sometimes a flash. And I like the natural lighting.

I’m not a good businessman and I never took a photo if that could damage the person in front of me.

Gmb Akash: In your opinion how could a photographer continually create his works to survive in the competitive field of photography & can manage to keep himself/herself into the focus of his concentration area.

Gaetano Plasmati: Keeping your own style and satisfy the customers is a difficult challenge, but not impossible. Today the advent of digital equipment creates a lot of competition for everyone even for non-professionals and it is also very confusing. Everyone knows everything. But this also applies to any field of our life. Creating your own style, ideas and making your customers feel themselves satisfied all the time is a real secret. It takes many years to make a career, after it becomes much easier. Also some compromises must be found as well.

A master rule is – to keep the passion for work inside and trust in you.

Gmb Akash: We request you to give message for photographers, shortly we want to receive few of your secret that you want to pass.

Gaetano Plasmati: The secret is that we always should believe in our dreams. May it sound like a phrase from a book. Reaching a goal every day is the easiest thing. Constantly, without pause, having patience and being humble. Look back after a while and you will see how far it has moved.

I like the words of Herman Hesse: “One can be happy when he finds his dream, but every dream has to be followed by a new one and you can’t capture any of them forever”.

Gaetano Plasmati is continually focusing more work of art & photography in his Gallery & Magazine. You can discover more of Geotano’s work on his personal website: www.gaetanoplasmati.com,

www.galleriaportapepice.com & in his magazine www.intransit.it

“Gaetano Plasmati a photographer who can explore his passion in form of creating different photographs by focusing on different topic. His all photographs creates new dimension to pursue. In the competitive creative world of photography his simple rules could make paths of opportunities to discover & create arts in new form. His inspiration as footsteps remain striking to follow“–

Gmb Akash