‘Nothing to hold on to’

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 1, 2011 by Gmb Akash

“When the train starts your feet will shake and you will try to hold something, but there is nothing to hold on to. From 2005 I went up in the train. Sitting or lying on the corroded metal roof of a train moving at 40 kilometers per hour is dangerous. By knowing that any time accident can happen it will make you nervous, give you insecurity & makes it more risky. In that time there was no one who can tell me the rules of hanging in a running train, there was no example of photographs by which I can inspire myself to capture moments in camera. But I did not think twice to step into the slippery train & attempted to make a new series on the bravery of some insignificant heroic lives.”

Gmb Akash

 © GMB Akash / www.gmb-akash.com

Seven years ago I had to travel several times by train to come to the city. During traveling I noticed low income people who were traveling in the roof of the train & even in between joining line of the train. Most of them were low wage working class & traveled with high risk of severe accident. I was surprised to the fact when I discovered few of them traveled many times of the day with life risk. For knowing the reason my interest had taken me to the root. I pick my camera & leave my seat. Thus my journey starts in the running train. I had a basic curiosity to know about people whom I intend to photograph. From beginning of my journey I work for those people who are fighting endlessly to survive without anything but a smile. For taking photo of them I blended myself into the same conditions which help me for getting the insight story. This inquisitiveness leads me in the top of the train. & I become one of the free passengers of regular running trains. Thus I got familiar with the scary situation of the fearful journey; discover people & above all I took photo.

 

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

Uncountable times I went to the roof of the train. Often visit made me familiar with the scariness of a running train. People become well-known to me. I find out so many different stories of people & their dreams of surviving. When I manage myself to step straight then I pick my camera & start capturing my feelings by my camera lens. No one travel to risk their life to get pleasure. All were unable to manage travel cost as they were living under the margin. Many of those travelers work as day laborer, many of them goes for selling fishes in city which they collect from their villages. All of them have to return also. These travel costs can not manage by them so they risk their life in the top of the train.

© GMB Akash / www.gmb-akash.com


© GMB Akash / www.gmb-akash.com


This traveling is very addictive when you will discover people who have power on them, who were bravely setting without caring anything. These people inspire you to live life without getting frustrated. They have nothing with them only have bravery to fight against all odds of life. So this journey put power inside me to fight in rest of my life with bravery & inspire to take any risk to live a life.

© GMB Akash / www.gmb-akash.com

 

 

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

In winter the whole train surfaces get slippery, once I stepped without been concern & attempted to fall. It is difficult to take picture in opposite of the direction of the running train. Along other passengers I have faced terrible winter, unwanted rains & continual heat in the top of the train. Many times wires hit me, every time I thought I should not go more. But again I can not resist myself. Getting a good picture is toughest thing while you need to spend days & months for the right moment & for the right click. I won travel photographer of the year title in 2009. Besides all I am fortunate to be able to stand in this fearful journey which will continually give me power for rest of my life.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

“I recall all these journeys again & again. My achievement is that I established this series as one of favorite topic for photographers. I feel happy when I see photographers come from around the world to get a free ride in the top of the train & takes pictures. All these make me happy. I collect all my treasured moment & I am working for publishing a book soon on this series. I have to say, I am fortunate by killing fears of me to become able to go to the top of the train. There is nothing to hold on to only your fearlessness”

– Gmb Akash

 

© GMB Akash / www.gmb-akash.com

Faces Tell Stories

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on October 29, 2011 by Gmb Akash

“Among all – Human faces are most attractive to me. Every face bears a story. Photographers reveal the undiscovered story through the lens. Faces tell stories, tell the situation of the person, and tell the story of the place the person lives in. Wherever I go I always come across to faces those are different, & eventually tried to find characteristic of the community; every place has its own perception, story & smell, a person bears these things in his/her appeal. I search for story behind the face, so faces are incredible to me. Through out searching the portrait we could find strange stories of lives of people of different places that we never recognize before. Here I am going to share my experiences & opinion during the journey of finding unnoticed faces

- Gmb Akash

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

I search for getting an interesting character, a face that is usually undiscoverable. I searches face in the middle of crowd. My first prior attention is the selection of the person, choosing the right character. Before I take any portrait I try to be familiar with the person. I talk to hem and try to build a relationship with the person I will photograph. I give them time to be normal in front of my camera. I introduce myself to them. When the person gives his/her most natural expression to me I take out my camera & start shooting. I believe it is the strongest factor which I practice so far to get a close snap of a human soul.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com


For me light is the most important element for getting an excellent portrait. I try to use different type of light; I try to shoot in different time of the day to get different colour and mode of light. Every light has its own appeal for creating different portraits of an individual.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

Technically I use 35mm (f 1.4), 24-70 mm (2.8) lenses. But I take portrait with all kind of lenses I have. Truly to say I do not care about my equipments very much. For me the most important is – the person. Some times I also use very open aperture like 1.4 to get very low depth of field. So my eyes only go to my subject. As in Some cases the surrounding environment is very important, so in that time I use aperture 8 to get all the elements in focus. But I do not like using very wide angel lens and I do not like a lot of distortion on the photo. I saw many people use wide angel lens for most of their works. If you use very wide thing, the picture look interesting because of the distortion. But in my opinion the picture looks like it has taken by the wide angel lens not by a photographer. So I don’t use too much wide angle. And thus I try to make my images clean and direct.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

I have strong affection for color. I am a color photographer & I believe color photography is more challenging & complicated. When I can meet the challenge I feel relieved. I am always very careful for using light and color. I love shooting in the early morning and late afternoon. But while I take portrait in the mid day I try to shoot them in the shadow, indoor or under flat light. It creates mystical environment.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

I try to use very simple background while I am taking close up portrait, so that the background might not disturb the subject and I try to use lot of – window soft light. Eyes have significance to me. One of the most important things in my images is eyes of the person. Eyes tell the story of that person. Eyes tell the unseen background of the person which I always hunt to discover.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

- For me the most prior factor is the character of my portrait. The light, color, eyes & the person must have to be blend with me. I align four factors together for taking a special portrait they are – the person, the light, eyes & color.

- Attention is the most hidden factor to get a good portrait. The person need to be familiar with you & the camera, it will be your prior duty to make the person natural as well comfortable for getting a best shot.

- Several rules applied by photographers for getting experimental portraits. Every photographer has his/her own style of taking portrait. Often the most remarkable portraits are those that break all the rules, so it’s important to create your own rules to get a master copy which might never done by some one before.

-  Expression indicating the direction of the person’s eyes which can impact an image astonishingly. For me it’s important to observe the right moment of the direction of eyes.

- For creating interesting images you need to give trial, for creating interesting placement of your subject. After Creative thinking, creative placement can sometimes create out of the ordinary images.

- There are almost unlimited possibilities when it comes to use light in portraits. Input of light could make a portrait more or less powerful, as well side lighting, back lighting, silhouetting can spot specific features.

- Never fail to align your mind, eyes & lens together to find the inner beauty of the portrait.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

“Any Book or text or any experience sharing can not demonstrate “Portraits” practically. Pick your camera explores faces to get a good portrait. & you are welcome if my single practical example or feedback could uphold your knowledge”

 - Gmb Akash


Reckless Calamity washed out lives

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , on September 22, 2011 by Gmb Akash

After Aila attack it has been two years Khadeza Begum sold her cattle & everything to rebuild her only shelter. Now it is another nightmare for her to stay under her destroyed house after facing another devastating flood. She has no idea how she will manage to pay back all her loans, besides passing nights in this smashed house with her husband.

Kadeza Begum said:

We have nothing left, but we have to survive, so we’ve had to build our house again, twice in two year”.

Like Kadiza Begum It takes one year to Nobab Ali for building his house after Aila attack. Again flood hits on his all effort & left him in the flooded street. After all these devastation still he is trying to get some materials from the ruined house for covering his head in the road.

Alike them all inhabitants of Shamnagar are suffering like prisoner of devastating water kingdom. Helplessness & shouts are not getting into ears of rest of the people around the world & surroundings. In all places water & the destruction of water could experience in flood affected areas of Shatkhira. Inhabitants are collecting water after walking 3 Km. as all tube well are under water & badly affected by salt.

Amina begum told:

“Here water in everywhere, even in my house there is no sign of house only water. But we are such cursed that we have no water for drinking”

After facing devastating flood every year, they are fighting to live apart loosing shelter for existing. Still they are fighting to live. They are collecting all destroyed pieces of house to shed their head. Women go for fishing. They are healing pain of each other set aside from the remaining world.

I headed to the flood affected area of Shatkhira when all those villages are under water within three days & was out of communication. Evidentially when I reached to Shamnagar sun was setting down. I was surviving in a boat & could not see surface to stand a while. With the drowning sun the village was drowning under water. People were sheltered above in roofs of their houses. Moaning of old people & shouts of children were making the atmosphere miserable.

The southern part of the country is mostly affected by rain-fed disaster. There was heavy rain all over Bangladesh but flood has affected 14 of the 64 districts in Bangladesh. In Satkhira Kobodak, Betna, Shalta and Morichhap rivers swelled abnormally over the last seven days overflowing their banks inundating 160 villages in dozens of unions in Tala, Kalarowa, Ashashuni and Sadar upazilas. Over four lakh people of 160 villages were marooned. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. Over 2,000 shrimp enclosures were washed away. Families lost everything & staying night without roofs in wild weather. Incessant rain coupled with high tide triggered by depression in Bay in the last few days caused river water rising engulfing villages on their banks. No humanitarian support has been provided to the people in the most affected districts by the government, local, national and international NGOs even after 10days of water blockage. People are suffering like prisoner of devastating water kingdom. There helplessness & shouts are not getting into ear of rest of the people around the world & surroundings.

After the flood in Shatkhira, all ladies are moving for dry places by carrying their belongings. Families lost everything, passing nights without roofs in wild weather. In such a situation open air in field of water can not accommodate them for healing pains. Leaving behind everything they are moving to the city. . Hunger, helplessness & calamity force these climate refugees to the city. City welcomes them to face the uncertainty of living for their entire life time. Rootless people suffer here & there. Their tears evaporated by thirsty street of Dhaka, the capital of Bangladesh.

Bangladesh is the most vulnerable country in the world, the frontline state of climate change. Mostly to say Bangladesh seems the leader of climate change. With 140 million people, Bangladesh is one of the world’s densest nations and also one of the most vulnerable to the impacts of climate change. Like much of the delta region, it floods each every year, but the flooding has been getting worse, the waters are staying longer, and contaminating the fields and the wells with salt. People in Bangladesh live precariously close to the risks of cyclones, floods and droughts and more than 100 million people live in rural areas. Two-thirds of the country is less than 5 meters above sea level and in an average year, a quarter of the country is inundated. Bangladesh has experienced severe floods every 4 to 5 years that may cover more than 60 percent of the country, resulting in significant losses. United Nations’ Intergovernmental Panel on Climate Change predicted that rising sea levels could submerge 17 per cent of Bangladesh by 2050, creating 20 million “environmental refugees”.

Here is a short film on this concern – how people are facing the calamity by living their normal life behind:

Still images of this devastating flood could reveal people’s straggle & endless helplessness.

In 2009 Aila attacked Shatkhira, after two years when that pain has not healed this place again faced the ferocious attack of flood. While in these two years affected people managed to build their destroyed home but again flood has taken last hope from them. Over four lakh people of 160 villages were marooned. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. © GMB Akash / www.gmb-akash.com

After Aila attack it has been two years Khadeza Begum sold her cattle & everything to rebuild her only shelter. Now it is another nightmare for her to stay under this destroyed house. She has no idea how she will manage to pay back all her loans, besides passing nights in this smashed house with her husband. © GMB Akash / www.gmb-akash.com

The flooding continues by washing away many homes and fields, the ill-fated flood victims Like Jhanu Begum remain living on the damaged embankments, surviving the rainy season in huts made of plastic sheets and bamboo. © GMB Akash / www.gmb-akash.com

 

 The lady is going inside her house. The flood has broken all her hope to pass a single night in serenity. After facing devastating flood every year, they are fighting to live apart loosing shelter for existing.

© GMB Akash / www.gmb-akash.com

People are fighting alone against every odd of their lives & with regular calamity. People are using medicine in their feet as they are living in water long time. These people do not know when they will get relief from flood water. © GMB Akash / www.gmb-akash.com

Flood has taken everything from inhabitants of Shatkhira. Every day straggle for getting water & food become another calamity for their life. All tube well goes under water & already badly affected by salt. Sufferers have no way to get rid rather then suffer in crisis.  © GMB Akash / www.gmb-akash.com

Besides Khadeza begum has to pay back all her loans of rebuilding the house after Aila attack, but again she lost every piece of it in this flood. She has no idea how long the village & she can survive. She is trying to collect all wasted material of her house in hope to get a shed by road side. © GMB Akash / www.gmb-akash.com

 

It takes one year to Nobab Ali for building his house after Aila attack. Again flood hits on his all effort & left him in the flooded street. After all these devastation he is trying to get some materials from the ruined house for covering his head in the road. © GMB Akash / www.gmb-akash.com

Nobab Ali has no idea how long he can survive surrounded by flood water which has proven curse to him. In his last dates he is fighting every year for building a house to shed his head. After the devastating flood attack again he is searching, below in water in hope to get his lost belongings. © GMB Akash / www.gmb-akash.com

After the flood in Shatkhira, all ladies are moving for dry places by carrying their belongings. Families lost everything, passing nights without roofs in wild weather. In such a situation open air in field of water can not accommodate them for healing pains. © GMB Akash / www.gmb-akash.com

 

The violent flood abandons lives of Shamnagar inhabitants. With all fields under salt water, no shrimp farming or other activities can be restarted, and people have no way to earn a livelihood. Instead they try to fish in the nearby rivers even in floated roads. © GMB Akash / www.gmb-akash.com

People are moving to the city by vans even all roads went under water because of devastating flood in Shatkhira area. In 2009 Aila attacked Shatkhira, after two years when the pain has not forgotten this place again faced the ferocious attack of flood. Leaving behind everything they are moving to the city. © GMB Akash / www.gmb-akash.com

 


In the Alley of Disaster

Posted in Survivors with tags , , , , , , , , , , , , , , , , , , , , , on September 12, 2011 by Gmb Akash

“I headed to the flood affected area of Shatkhira when all those villages were under water within three days & out of communication. Evidentially when I reached to Shamnagar sun was setting down. I was surviving in a boat & could not see surface to stand a while. With the drowning sun the village was drowning under water. People were sheltered above in roofs of their houses. Moaning of old people & shouts of children were making the atmosphere miserable. When I reached to the house of Khadeza Begum I closed my eyes. It took two years to rebuild the house of Khadeza after selling all her cattle as well taking huge loans after Aila attack in 2009. I was standing in front of her ruined house. The house which has been rebuilt these two years by the bravery of Khadeza. I could not answer when she was hitting me by asking why I come to take photo of her ruined house again after Aila. No one come to ask them ever how they are fighting against the will of nature. She cursed all those happy people who seat silent after hearing their news”

- Gmb Akash

In all places water & the destruction of water could experience in flood affected areas of Shatkhira. Inhabitants are collecting water after walking 3 Km. as all tube well are under water & badly affected by salt. After facing devastating flood every year, they are fighting to live apart loosing shelter for existing. © GMB Akash / www.gmb-akash.com

After Aila attack it has been two years Khadeza Begum sold her cattle & everything to rebuild her only shelter. Now it is another nightmare for her to stay under this destroyed house. She has no idea how she will manage to pay back all her loans, besides passing nights in this smashed house with her husband. © GMB Akash / www.gmb-akash.com

In 2009 Aila attacked Shatkhira area, after two years when that pain has not forgotten this place again faced the ferocious attack of flood. While in these two years affected people managed to build their destroyed home but again flood has taken last hope from them. Over four lakh people of 160 villages were marooned after the striking of flood in this 2011. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. Shrimps in over 2,000 shrimp enclosures were washed away. Families lost everything & staying night without roofs in wild weather. No humanitarian support has been provided to the people in the most affected districts within the affected time of  13 days.

People are helpless after five days water blockage. The lady is going for fishing. While in these two years Aila affected people managed to rebuild their destroyed home , again this flood has taken every hope from them. © GMB Akash / www.gmb-akash.com

It takes one year to Nobab Ali for building his house after Aila attack. Again flood hits on his all effort & left him in the flooded street. After all these devastation he is trying to get some materials from the ruined house for covering his head in the road. © GMB Akash / www.gmb-akash.com

People were suffering like prisoner of devastating water kingdom.Helplessness & shouts  are not getting into ears of rest of the people around the world & surroundings. Still they were fighting to live. They were collecting all destroyed pieces of house to shed their head. Women went to water for fishing. They were healing pain of each other set aside from the remaining world.

All tubewell of villages goes under water. Everywhere there is only water but there is no water for drinking. Still inhabitants are trying to get salt water for drinking. © GMB Akash / www.gmb-akash.com

After the flood in Shatkhira, all ladies are moving for dry places by carrying their belongings. Families lost everything, passing nights without roofs in wild weather. In such a situation open air in field of water can not accommodate them for healing pains. © GMB Akash / www.gmb-akash.com

People are moving to the city by vans even all roads went under water because of devastating flood in Shatkhira area. In 2009 Aila attacked Shatkhira, after two years when the pain has not forgotten this place again faced the ferocious attack of flood. Leaving behind everything they are moving to the city. © GMB Akash / www.gmb-akash.com

The lady is going inside her house. The flood has broken all her hope to pass a single night in serenity . © GMB Akash / www.gmb-akash.com

Hunger, helplessness & calamity force them to the city. City welcomes them to face the uncertainty of living for their entire life time. Rootless people suffer here & there. Their tears evaporated by thirsty street of Dhaka. 

Climate forces Jahangir to move to the city with his family. Now this Mirpur slum is his identity. Water crisis as well accommodation problem hitting their everyday life . His wife like him are suffering everyday for taking bath in this nearly open bathroom by sharing  with more than 300 slum dwellers. © GMB Akash / www.gmb-akash.com

Hosna comes with her two children from Jamalpur. Her husband left his family after loosing everything in devastating flood. She came in this plastic shelter three years ago. This street houses does not provide any toilet. By not having any window she manages to placed everything of her family in six feet by six residences. In these three years she managed to gather many things which she packed in bags. With all these things she dreams to go back to her village one day. © GMB Akash / www.gmb-akash.com

After discovering the insanity of nature & bravery of these sufferers I realize these people are stronger to rule their own live. If these brave people could get support of a shoulder to cry, rest of us could claim us as “Human”. I recall the statement from Helen Keller & focus my lens to capture some brave moment.

 “I am only one, but still I am one. I cannot do everything, but still I can do something, and because I cannot do everything I will not refuse to do the something that I can do”- Helen Keller

Homeless people float near in the street of the city. By few road sides families are allowed to build their homes. Still climate refugees can not gather enough wasted digital prints, papers & bamboo for making plastic houses. Those who can not manage helplessly sleeps in open air by not letting the place empty. Everyday they collect papers for dwelling beside street.

© GMB Akash / www.gmb-akash.com

Water crisis Myth & Reality

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 17, 2011 by Gmb Akash

Dhaka, the capital of Bangladesh is one of the most densely populated cities of the South-Asian countries. Due to rapid urbanization process, the city is emerging as a mega-city and this trend generates numerous economic and social externalities and social cost such as deterioration of environmental quality, increased pollution and congestion. 30 to 50 percent of total Dhaka residents are Slums dwellers. Slums of Dhaka city are beset with a number of socio-environmental problems specially ‘water’ crisis.

 

“In slums from early morning hours passed & water pot gathered gradually. Queues of water pots & lines of people are regular scenario of the slum. Government van comes once in a day with drinking water. They have no idea exact when the van will come, so they line up their water jars & sit beside. Most of the inhabitants of these slums are climate refugees. Most of the slum dwellers stand in lines before the sun rises. After passing the long queue, knowing that this impure water causes sickness, they feel that they are fortunate. Their consolation is that at least they don’t have to leave with empty pots” – Gmb Akash

Apparently the place seems like garbage, though this is the most desired place of the inhabitants of Mirpur slum in Dhaka city. For water, in this thirsty zone queue stars near midnight. After an immense time of patience they got quiet impure water which often makes them sick. In spite of all they give a cheerful smile when they touch the water after passing the long queue. No dirty water can kill their hope & smile.

© GMB Akash / www.gmb-akash.com

In slums straggling for water starts before the sun rises. A boy collects water for his family near mid night for avoiding the long queue.

© GMB Akash / www.gmb-akash.com

In Mirpur slum, slum dwellers have to waits hours & hours in queue for water. Children use to drink water whenever they got chance to get the pipe. Slum dwellers of Mirpur hardly get drinkable water. Bad smell & impure wastage made the water high-risk. Dhaka. Bangladesh

 © GMB Akash / www.gmb-akash.com

A woman is fighting for water. Children & ladies stand up in queue before the sun rises. Slum dwellers of Mirpur hardly get drinkable water. Bad smell & impure wastage made the water high-risk.

        © GMB Akash / www.gmb-akash.com

Rohingans living in Burmese refugee’s camp has no facilities for drinking water. A Rohingan woman is collecting drinking water from rain source. Water fall of mountain is the only source of water for them. Else they have to travel 2kilomiter for collecting that impure water.

© GMB Akash / www.gmb-akash.com

Women have to spend several hours & travels long everyday for collecting drinking water. In Shatkhira, they have to go long distance, they usually collects water from ponds. After boiling water hardly removes salts & thus they make the water drinkable.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

Children & women have to spend several hours & travels long everyday for collecting drinking water. In Shatkhira, they have to go another part of the river for collecting water. After boiling water hardly removes salts & thus they make the water drinkable.

© GMB Akash / www.gmb-akash.com

Satkhira District is in the southwest coastal area of Bangladesh. Cyclone Aila hits 14 districts on the south-west coast of Bangladesh on the 25th May 2009. The cyclone caused 190 immediate deaths, injuries to 7,103 people, damage to 6,000 kilometers of roads, more than 1,700 kilometers of embankments to collapse, more than 500,000 people to become homeless. Because of this calamity all fields got salted & farmers become helpless. As well in Shatkhira people are not getting clean drinking water, as the water is salt affected.

 

© GMB Akash / www.gmb-akash.com

Children & women have to spend several hours & travels long everyday for collecting drinking water. In Shatkhira, they have to go another part of the river for collecting water. After boiling water hardly removes salts & thus they make the water drinkable. Farmers can not produce crops because of salinity. In such a situation inhabitants lives become itself a calamity living by every day’s straggle.

© GMB Akash / www.gmb-akash.com

© GMB Akash / www.gmb-akash.com

The woman is going to collect water from a Tube well, which is the only tube well for seven villages. The inhabitant of char in Noyakhali has to travel 3-4 kilometers by walking to collect drinking water.

 © GMB Akash / www.gmb-akash.com

“In this corner of the world people are fighting to get a pot of drinkable water. Their lives have collapsed in need of getting a pot of fresh water. People are experiencing severe thirst which may never come to an end if “Water”- could not save by Human” Gmb Akash

 

Interview with Gaetano Plasmati – An enthusiastic photographer who inspire to create the dream of imagination by self power

Posted in Lessons From Inspirational Photographers with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 8, 2011 by Gmb Akash

“The Italian photographer Gaetano Plasmati is an enthusiastic photographer who inspires to create the dream of imagination by self power. His versatility as a photographer & unique initiatives remind me the famous quote: “Do not follow where the path may lead. Go instead where there is no path and leave a trail”

This photographer & adventurous traveler appealed more as South Asian rather than his Italian origin because of his continual work on Asia. He is a photographer who believes that all people of the world are his community, who focuses diverse topic with the same passion effortlessly. In working time I found him in the middle of street children while he happily gives his camera to slums children by granting them taking picture. After traveling in 43 counties & passing 20 years in his photography career he is still the same passionate adventurer whose friendly nature & respect to others are his dignity’-

Gmb Akash

Gaetano Plasmati, photojournalist, curator and publisher, Italy


With the identity of professional photographer Gaetano is curator of the Porta Pepice Gallery in Matera, Italy, and publisher & editor of Intransit Magazine. He lives and works in Matera, where he was born in 1965. Left electronic and music studies, he tried in his heart a strong passion for voyages and for reportages photos. He has done photography reportages in almost all corners of the world: Greek, Turkey, Albania, Thailand, Birmany, Cambodia, Malaysia, Singapore, Indonesia, Morocco, Tunis, Alger, Libya, Niger, Kenya, Madagascar, Mexico, Guatemala, Honduras, Belize, Peru, India,Cuba, Maldives, Mali, Namibia, and Jordan. Traditions, popular celebrations and cultural manifestation became his documentation goals. Gaetano is also a theatre, jazz music and classic and advertising photographer.

Gmb Akash: Please introduce yourself. Where and when did you get your start in photography? Do you have any formal training?

 

Gaetano Plasmati: My name is Gaetano Plasmati. I come from southern Italy, the city of Matera. I began to photograph more than 25 years ago. My interest in travelling has turned my passion into a profession. I am a self-taught photographer. I have done everything by myself: bought my first camera, set up a photo gallery and my magazine. For building these medium was upon the aim to promote more photographer & photography through me. I am consistently thinking & maintaining good relationship with rest of the photographer of the world. I believe the straggle I have faced to reach so far would help me to stand by other photographers who started their journey with nothing. Also I have always been thinking that it is important for the place where I was born and live and I believe in freedom and dignity of my profession. My land, southern Italy, has a strong impact on the way I see the world of photography.

Gmb Akash: You had a strong passion for voyages and for reportages photos. So you have done photography reportages in almost all corners of the world: Greek, Turkey, Albania, Thailand, Birmany, Cambodia, Malaysia, Singapore, Indonesia, Morocco, Tunis, Alger, Libya, Niger, Kenya, Madagascar, Mexico, Guatemala, Honduras, Belize, Peru, India,Cuba, Maldives, Mali, Namibia, and Jordan. Please tell us how this travelling influences you to understand the culture of people & facilitates you to become a powerful photographer?

 

Gaetano Plasmati: My profession and my passion is travel reportage. I think travelling is my nature. I follow my curiosity on traditions, other cultures, political outlooks and other events in the world. Today we live in the Internet era, but for my first trips I took inspiration from books and documentary movie. The world of books opens my imagination for inventing new stories. Today the Internet helps me in researching but sometimes it takes away the charm of the imagination. Becoming a good travel photographer means having a good education starting from school, read a lot, learn languages, be very attentive and sensitive to the world outside and many other things…

Gmb Akash: You went for six times to India, to end the anthropological-spiritual recognition, presented during the end of 2002, with extension “Mother India” for Emergency. Please share us your experience how you start the project & your accomplishments regarding it. 

Gaetano Plasmati: I love India and I returned there several times, sometimes as a tour leader. I was 21 years old when I visited India for the first time and it was unforgettable experience!I felt I fell in love with incredible country and its people and I’ve been keeping this feeling in my heart for many years. I think it was a real start of my project devoted to India. I called it “Mother India” because I have grown professionally and personally as a man. This country helped me to reveal my potential, my energy, raised my spirit and stimulated my senses. I felt and still feel myself as one of the son of this amazing land. Every time I arrived to India I was surprised, amazed, scared or excited, but never had I remained indifferent. I decided complete my journeys with a photo exhibition in favour of Emergency, an Italian independent and neutral organization, founded to provide high quality and free of charge health care to the war and poverty victims. Also I tried to collect money for Emergency selling my photo calendar.

Few times I organized workshops for children in Dharavi (Mumbai), in one of the largest slums in the world. Photography for me is not only a profession or vocation also it is a kind of joke. I spent a great time there with a few hundreds of children teaching them to take pictures, talking, joking and just making fun! After, we had an exhibition of photographs that were taken by little friends.

Right now I think I have to give back to this country all my love and gratitude in return.



Gmb Akash: Traditions, popular celebrations, cultural manifestation became your documentation goals. Also you are theatre, jazz music and classic and adverting photographer. How could you as a photographer work on such versatility to easily focus on different topic with your project? What influence you for selecting topic for your project?

Gaetano Plasmati: I’ve studied at a music school for many years. It gave me an education in classical music, jazz, and other genres. Travelling revealed to me a magic of world music. For many of my photographic stories I use music as a theme. The latest are “Buena Vista Social Club” in Cuba, dances and music of Woodabe in Niger or the Dogon in Mali, The Theatre of Kathakali in India. Many of my photographs were used for CD covers for local theatres and musicians.

I always pay attention to all kind of news and events not only in my land, but also in all Italy and in the world. I read a lot, watch many movies, meet with people and this helps me to imagine new stories.

It is not easy to work in many genres and to focus on many subjects, but I manage to do this, because I’m very persistent and curious for everything new. I’m an open-minded person and I’m always looking for new opportunities and subjects for my projects. But always I work in reportage style both for travel photography and for wedding photos. I like to take spontaneous images, catch the moment.


Gmb Akash: Share your experiences on Wedding photography. Besides doing reportage on many significant social/cultural issues you are an outstanding wedding photographer. Why you are doing wedding photography & how you are keeping yourself special by creating wedding photographs as informative & thematic. 

Gaetano Plasmati: I started taking wedding photographs for some friends. I did not have any special skills in this style of photography. I’ve been always thinking it was a very static work, too many portraits in one day with many emotions. I thought that the reportage style in wedding photography could be an easy solution for enjoyment of this unique day. I just follow my style and my passion; never have I looked what others do. I try to show human emotions and reflect those special moments in my photos. It is a little bit difficult to explain people the “language” of photography. Some of them don’t like to see their relatives crying or sad on the photos. More and more people try to escape from daily life problems and bad sensations and ask me to take photos of happy faces only or don’t take b&w images. And I try to explain that the reportage style in wedding photography gives more emotions for the photo; make it more natural and therefore unique. I feel myself very happy if I see my clients emotive when they look at the wedding photos and experience that moments of joy again and again.

Gmb Akash: You are the curator of the Porta Pepice Gallery in Matera, Italy, and publisher and editor of Intransit Magazine. Give us some background information on how & what influence you to start your magazine “Intransit magazine”?

Gaetano Plasmati: I decided to open a photo gallery because I wanted to give a proper value to photography and photographers, to raise the culture of visual perception for the people. I was tired of showing my photos in some local restaurants and other unsuitable places. It is difficult in a city where there aren’t photo galleries to build everything alone. It takes time and much energy … and of course finances. I always imagined a place where you can talk about photography, travels, books, images of the photographers; arrange meetings of travellers, exchange experiences. I think that sharing experience with others is a way to improve ourselves. After some time passed I considered the idea of setting up of a photo magazine to develop all these photo stories. It is called “Intransit”, a quarterly editorial project about travelling and photo reportages. Again, to be a photographer today and especially in the places where the professional culture is undervalued is not easy. A bad policy does not work on quality. The photo magazine with the help of the Internet today is also available online. Now I’m thinking over idea of creating a small editorial staff for the Intransit.

Gmb Akash: For creating new project or series what priorities a photographer need to keep in mind to survive with his project in the competitive field of photography?

Gaetano Plasmati: Being a photographer is one of the best and most interesting profession, but also one of the most difficult. First of all, follow your own nature. Being a photographer means to go outside, to see people and places, to travel, sometimes far away from home, learn languages​​, invent  fascinating stories and study all the time and improve oneself. But nobody teaches how to survive in daily and professional life.

Everyone talks about workshops, awards, exhibitions, but no one tells you how difficult it is to remain a competitive photographer. Invent stories, involving the readers, have your website up to date, follow the new media, try to test your limits, don’t ask, be curious and creative. Always believe in yourself and in your ideas. There are always many features for a good photographer. In the end, perhaps, little lucks. I am currently working on the problems of desertification in the Sahara and on other environmental problems after disaster in Japan and planning many other projects. We must also admit that it’s hard to travel and have so many projects. Magazines and agencies are suffering with online news. People buy paper less, all information is available on the web sites in Internet. We need to change quickly, be more versatile and flexible in the work.

Gmb Akash: A brief paragraph on “One day Journey with photographer Gaetano Plasmati”? 

 

Gaetano Plasmati: I always recommend lightweight camera equipment, but my bag is always more heavier. J I use Nikon D700 and a few Nikon lenses: 24 mm f/ 2.8, 37-70/2.8, 50mm f/1.8 D, Zoom-Nikkor 80-200 mm F/2.8, 105mm f/2.8. I prefer to use the flash very little. In the past I was an athlete and this allows me to have a good resistance and good adaptation to any situation. I think I have a good ability easily becoming friends with unknown people, it is our nature as southern Italians.

If I travel in some places like Sahara desert, Mali, Tibet usually I hire a local guide who shows me the right way and helps to communicate with locals. Also it is important to remember about many restrictions and rules before you are going to visit any country, because in some of them it is forbidden to take pictures or visit some places.

Very often I take wedding photos in different unknown places so before photo-shoot I study the area and venue. I prefer to work alone and I don’t use any additional equipment only my camera and lenses, sometimes a flash. And I like the natural lighting.

I’m not a good businessman and I never took a photo if that could damage the person in front of me.

Gmb Akash: In your opinion how could a photographer continually create his works to survive in the competitive field of photography & can manage to keep himself/herself into the focus of his concentration area.

 Gaetano Plasmati: Keeping your own style and satisfy the customers is a difficult challenge, but not impossible. Today the advent of digital equipment creates a lot of competition for everyone even for non-professionals and it is also very confusing. Everyone knows everything. But this also applies to any field of our life. Creating your own style, ideas and making your customers feel themselves satisfied all the time is a real secret. It takes many years to make a career, after it becomes much easier. Also some compromises must be found as well.

A master rule is – to keep the passion for work inside and trust in you.

Gmb Akash: We request you to give message for photographers, shortly we want to receive few of your secret that you want to pass.

Gaetano Plasmati: The secret is that we always should believe in our dreams. May it sound like a phrase from a book. Reaching a goal every day is the easiest thing. Constantly, without pause, having patience and being humble. Look back after a while and you will see how far it has moved.

I like the words of Herman Hesse: “One can be happy when he finds his dream, but every dream has to be followed by a new one and you can’t capture any of them forever”.

Gaetano Plasmati is continually focusing more work of art & photography in his Gallery & Magazine. You can discover more of Geotano’s work on his personal website: www.gaetanoplasmati.com,

www.galleriaportapepice.com & in his magazine www.intransit.it

Gaetano Plasmati a photographer who can explore his passion in form of creating different photographs by focusing on different topic. His all photographs creates new dimension to pursue. In the competitive creative world of photography his simple rules could make paths of opportunities to discover & create arts in new form. His inspiration as footsteps remain striking to follow

Gmb Akash

‘Vanished Natives’ – Existence of Rohingya Refugees in Bangladesh

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 30, 2011 by Gmb Akash

 

‘Vanished Natives’ – Existence of Rohingya refugees in Bangladesh is tales of those people who lost their freedom of living & identity in deepening crisis of removing tag as refugees. Living decades still we could found the same plastic rapping shelter with uncountable holes. They travel two kilometers for drinking mud water. Those people are straggling to get back their honor as human not even as any nation. They considered as most unwanted people of everywhere. Still their way of living delivering the single message that they are just suffering well – Gmb Akash

 

An old Rohingya lady is taking nap in her shelter. They are not allowed to do work outside or move freely. Old people like her are straggling for passing their last days by doing nothing.

© GMB Akash / www.gmb-akash.com

Decades refugee families are suffering well having only a plastic shelter. If the refugees manage to get outside the camp, they are then vulnerable to harassment by the residents of the villages surrounding the camps

© GMB Akash / www.gmb-akash.com

In the early 1990s, more than 250,000 people belonging to the mostly Muslim Rohingya minority escaped persecution in Myanmar by fleeing across land and river borders into Bangladesh, where most were housed in 20 camps. Their living conditions are sub-standard and they are uncertain about their future. They are living without freedom of movement, permission to work or basic human rights.

 

A Rohingya lady seating idle with her child. Most of the new born & children suffered from massive Malnutrition.

© GMB Akash / www.gmb-akash.com

The experiences of violence and coercion over the years have inevitably fostered a climate of fear and distress among the refugees. They are not permitted to work. They have nothing to do to live their lives. They have no money, their husband or wives are not allowed to do any work. They are like prisoner of an open field of limited activity.

 

The girl belongs to the refugee group who are living without freedom of movement, permission to work or basic human rights. Besides she dreams to study, go regularly for taking part in Madrassa.

© GMB Akash / www.gmb-akash.com

 

 

Children study the Koran (Qu’ran) in a makeshift Madrassa (Islamic school) in the Dum Dum Meah refugee camp.

© GMB Akash / www.gmb-akash.com

The living place displays the most unprotected residence for living as human. The rapping plastic sheet which have uncountable holes surround them generation after generation. In a small place where hardly two people can live, ironically they are living more than eight people.

 

Two young men are making a new house in the Dum Dum Meah refugee camp. There is no change in their accommodation scenario instead of getting only holes in every rainy season.

© GMB Akash / www.gmb-akash.com

Rohingya refugee families have to depend fully on ration. The refugees are totally dependent on the weekly distribution of food. For many, food is the only source of income, as employment is prohibited.

© GMB Akash / www.gmb-akash.com

 

The refugees are totally dependent on the weekly distribution of food ration. For many, food is the only source of income, as employment is prohibited. Selling or trading food rations therefore also results in a consequent scarcity of food.


A Child in the Dum Dum Meah refugee camp. Here everlasting hunger, heightened vulnerability to disease, and hampered growth will only be overcome if the Rohingya refugees get enough to eat everyday. But still it is a dream to these refugees.

© GMB Akash / www.gmb-akash.com

  “Sometimes I bathe only two to three times per month because I have to save water for other member of my family”- A woman of seven member of the family were telling about the water condition.

A Rohingya woman is collecting drinking water from rain source. Rohingya living in Burmese refugee’s camp has no facilities for daily drinking water. © GMB Akash / www.gmb-akash.com

There is just one toilet between every 10 families. Teenagers hardly go to toilet in day time. As the toilet is visible from outside because of broken doors & holes is plastic rapping areas.

“Through the damaged door everything is visible when we go to toilet. In spite of danger we young girls go to toilet when it is dark that no one could see us”- young girl of the camp named Mya

Rohingya families have to totally depend on ration supplies. This generates an endless cycle of food shortage as no food enters instead of only rations for them.

© GMB Akash / www.gmb-akash.com

 

Water fall of mountain is the source of water near the Burmese refugee’s camp for Rohingyas. Rohingya families are collecting water from mountain as there is no facility of water in their camp. After 2 kilometers walking they can collect drinking water however they got sick often by this impure water source. © GMB Akash / www.gmb-akash.com

Besides them thousands wait, unregistered, and unsure of what their future holds. People are stateless & hopeless. They have nothing in their hands.

The boy representing the third generation of one Rohingya refugee family. They do not have any identity as nation. Despite losing everything they are fighting to get the honor as human.

© GMB Akash / www.gmb-akash.com

Children of Rohingya families are playing in rainy season. They have no right on living in any land.

© GMB Akash / www.gmb-akash.com

“Many lives have begun in these camps in the last decades. Many will end here, too, without a birth or death certificate to prove that they ever existed. There straggle will convey message to all people who are unknown to the fact of living no where, belongs to no nation & not aware of searching identity everyday – Gmb Akash”

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